"When Christmas Morning Comes" New York Times Editorial December 25, 2007
This is a simple holiday. Ask any child, or, better yet, ask yourself what you recall from your own childhood Christmases. Presents, yes, and shopping and decorations and the return of familiar songs and the smells of baking and perhaps the cadence of a few verses from the early chapters of Matthew and Luke.
What persists above all is the feeling of finally going to bed on a dark winter’s night full of hope for what the morning will bring. Even jaded adults can remember how that felt, and they remember it as viscerally as they remember anything.
The emotional truth in that transition lies at the heart of Christmas. It captures the most basic rhythm of our lives — going to bed at night and getting up in the morning — and makes us keenly, happily aware of it. That rhythm is all the more stirring because the season is so penetrating, the winter darkness so long.
Both of the basic stories we tell about Christmas, the shepherds in their fields by night and the peregrinations of Santa Claus, fill the darkness with life and possibility. A stranger, an extragalactic visitor wise enough to look past all the shopping, might be forgiven for thinking that this is the festival in which we celebrate the magic of sleep.
After all, what other holiday do we attend in robes and pajamas?
The optimism, the generosity, the charitable warmth of Christmas do stem, of course, from the pattern and the meaning of the biblical story. They have their source, too, in the sense of regeneration now that we’ve turned this darkest corner of the solar year.
Christmas is imbued with a more everyday hope as well, a recognition that the transition from sleep to waking always carries with it the immeasurable gift of a new day. The very premise is hopeful.
No one expects to wake every day as joyfully as a child at Christmas, or to sleep as badly the night before. The gift of possibility is there every morning."
As I head for the toilet bowl!
These the same people who lied us into wars, right?
